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Updated: May 9, 2025
It is not until we turn to Italy, and to the Northern man, Chaucer, entirely under Italian influence, that we obtain an approach to the antique clearness of perception and comprehension; that we obtain not only in Dante something akin to the muscularities of Signorelli and Michael Angelo; but in Boccaccio and Chaucer, in Cavalca and Petrarch, the equivalent of the well-understood movement, the well-indicated situation of the simple, realistic or poetic, sketches of Filippino and Botticelli.
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