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The whitewash of the walls, and the prints thereon of the actors in their mime-robes, and stage postures, actors as far back as their own lost Augustan era, when the stage was a real living influence on the manners and the age! There was Betterton, in wig and gown, as Cato, moralizing on the soul's eternity, and halting between Plato and the dagger.
The whitewash of the walls, and the prints thereon of the actors in their mime-robes, and stage postures, actors as far back as their own lost Augustan era, when the stage was a real living influence on the manners and the age! There was Betterton, in wig and gown, as Cato, moralizing on the soul's eternity, and halting between Plato and the dagger.
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