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The luminous self-reliance, the ardor and confidence and good fortune of Björnson-Håkon could not but offer a violent contrast with the gloom and hesitation, the sick revulsions of hope and final lack of conviction, of Ibsen-Skule. It was Björnson's "belt of strength," as it was Håkon's, that he had utter belief in himself, and with this his rival could not yet girdle himself.
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