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Updated: May 13, 2025
The Vorspielen was brought to an end by Gertrude Goldring's song. Clara Bergmann sat down to accompany her, and Miriam roused herself for a double listening. There would be Clara's' opening and Clara's accompaniment and some wonderful song. The Australian stood well away from the piano, her shoulders thrown back and her eyes upon the wall opposite her. There was no prelude.
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