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M. Livret's ardour was a contrast to the young Englishman's vacant gaze at Diane, and the symbols of her goddesship running along the walls, the bed, the cabinets, everywhere that the chaste device could find frontage and a corner. M. d'Orbec remained outside the chateau inspecting the fish-ponds.
M. Livret's ardour was a contrast to the young Englishman's vacant gaze at Diane, and the symbols of her goddesship running along the walls, the bed, the cabinets, everywhere that the chaste device could find frontage and a corner. M. d'Orbec remained outside the chateau inspecting the fish-ponds.
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