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After I had been filled with fear by seeing my father play the villain's part in such tragedies as Die Waise und der Morder, Die beiden Galeerensklaven, I occasionally took part in comedy. I remember that I appeared in Der Weinberg an der Elbe, a piece specially written to welcome the King of Saxony on his return from captivity, with music by the conductor, C. M. von Weber.
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