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In the fifteenth and sixteenth centuries we see the bastard born of a noble, as noble as his father, displaying his father's arms without debruisement and enjoying his rank and inheritance unchallenged on the score of his birth, even though that inheritance should be a throne as witness Lucrezia's husband Giovanni, who, though a bastard of the house of Sforza, succeeded, nevertheless, his father in the Tyranny of Pesaro and Cotignola.
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