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Updated: May 15, 2025
Subsequent examination of the text of "Love's Labor's Lost" has enabled the critics to satisfy themselves that the part of Don Adnano de Armado, the "phantastical courtier," was devised to exhibit another phase in the character of the Resolute Italian. In Holofernes we have the pedantic tutor; in Don Adriano a lively picture of a ridiculous lover and pompous retainer of the court.
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