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To the Samians is probably due the invention of bronze casting, to the Chians the beginning of sculpture in marble. This latter development opened to Greek sculpture its great future. Marble work was carried on by a race of artists beginning with Melas in the seventh century and coming down to Boupalos and Athenis, the sons of Achermos, whose works survived to the time of Augustus.

To the heavenly Muse who dictates the poem, to the eye of the Poet's mind, and to that of the Reader, present at one moment in the wide Ethiopian, and the next in the solitudes, then first broken in upon, of the infernal regions! Modo me Thebis, modo ponit Athenis. Hear again this mighty Poet, speaking of the Messiah going forth to expel from heaven the rebellious angels,

Only two fragments are of any length; one from the Marcipor, in graceful iambic verse, the other in prose from the nescis quid vesper. It consists of directions for a convivial meeting: "Nam multos convivas esse non convenit, quod turba plerumque est turbulenta; et Romae quidem constat: sed et Athenis; nusquam enim plures cubabant.

They used them with as much severity as they chose; they measured their treatment only by their own passion and caprice; and, by leaving them on every occasion, without the possibility of an appeal, they rendered their situation the most melancholy and intolerable, that can possibly be conceived. Diodorus Sic. Licet hoc Athenis. Plautus. Horæ. Kaka toiade paskousin oude prasin Aitousin.

XIII. 43 Saepe audivi e maioribus natu, qui se porro pueros a senibus audisse dicebant, mirari solitum C. Fabricium quod, cum apud regem Pyrrhum legatus esset, audisset a Thessalo Cinea esse quendam Athenis qui se sapientem profiteretur, eumque dicere omnia quae faceremus ad voluptatem esse referenda. Quod ex eo audientis M'. Curium et Ti.

"Beatissimus namque Dionysius | Athenis quondam episcopus, Quem Sanctus Clemens direxit in Galliam | propter praedicandi gratiam," etc. "Each verse contains 21 syllables, with a caesura after the 12th. No further regularity, either metrical or rhythmical, can be perceived. Such a verse could probably not have been written except for music."

Tazewell was fond of repeating that eloquent and exact definition of the general law, which Lord Mansfield, plucking it from the fragments of Cicero's work on the Republic, has made the household thought of our common nature: Non erit alia lex Romæ, alia Athenis, alia nunc, alia posthac, sed et apud omnes gentes et omnia tempora, una eademque lex obtinebit.