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And then the Virgin, full of Grace, but a shy girl in her teens for all that, hides her hot cheeks and cries her little wild heart to quietness. Some of it is in Albertinelli's fine picture, but not all. And now cross the Piazza and come down the steep incline by the Palazzo Commune, turn to the left, and behold the crown of Pistoja, the Spedale del Ceppo.

See the Spedale degli Innocenti, where a score of little flowery white children grow, open-armed, out of their sky-blue medallions. Really, are they lilies, or children, or the embodied strophes of a psalter? you ask. I mix my metaphors like an Irishman, but you will see my meaning.

In 1419 Giovanni increased his popularity by founding the Spedale degli Innocenti, and in 1421 he was elected gonfalonier, or, as we might now say, President of the Republic. Giovanni died in 1429, leaving one son, Cosimo, aged forty, a second, Lorenzo, aged thirtyfour, a fragrant memory and an immense fortune.

I do not say there is anything here more notable than the Annunciation attributed to Andrea at the Spedale degli Innocenti, while of course, for most people, his putti on the façade of that building are the della Robbia symbol; nor is there anything finer than Luca's work at Impruneta; but as a collection of sweetness and gentle domestic beauty these Bargello reliefs are unequalled, both in character and in volume.

The Spedale Grande, for instance, is one of the largest hospitals in Europe: its façade measures nine hundred feet, and it accommodates upwards of two thousand patients. Like most of the Italian hospitals, there are separate apartments for those who can contribute towards their maintenance. The asylums for the insane are also admirably managed.

They saw the stately arcades of the Spedale Grande, and the deep-red brick and terra-cotta pile of the vast Lazzaretto, and the wide streets and piazzas which the duke had laid out "to give the people more light and air." Above all, they saw the great Castello which was the pride of Lodovico's court.

It is, I think, excelled only by his very similar Adoration of the Magi at the Spedale degli Innocenti, which, however, it is difficult to see; and it is far beyond the examples at the Uffizi, which are too hot. Of the life of this artist, who was Michelangelo's master, I shall speak in the chapter on S. Maria Novella.

From S. Marco it is an easy step, along the Via Sapienza, to the Piazza dell' Annunziata, where one finds the church of that name, the Palazzo Riccardi-Mannelli, and opposite it, gay with the famous della Robbia reliefs of swaddled children, the Spedale degli Innocenti. First the church, which is notable for possessing in its courtyard Andrea del Sarto's finest frescoes.

The present statue at the Pont Neuf is, however, a modern substitute. The façade of the Spedale degli Innocenti, or children's hospital, when first seen by the visitor evokes perhaps the quickest and happiest cry of recognition in all Florence by reason of its row of della Robbia babies, each in its blue circle, reproductions of which have gone all over the world.

Therefore there is every reason to suppose that he enjoyed a period of half a year of leisure, which he devoted to finishing his Cartoon for the Battle of Pisa. It had been commenced, as we have seen, in a workshop at the Spedale dei Tintori. When he went to Bologna in the autumn, it was left, exposed presumably to public view, in the Sala del Papa at S. Maria Novella.