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. . . On Saturday I went with Sir William and Lady Molesworth to their box in the new Covent Garden opera, which has been opened for the first time this week. There I saw Grisi and Alboni and Tamburini in the "Semiramide." It was a new world of delight to me. Grisi, so statuesque and so graceful, delights the eye, the ear, and the soul.
Alluding to a performance of 'Semiramide, he said with a malicious smile, 'I suppose you saw the beautiful decorations in it? He has not received the Sisters Marchisio for fear they should sing to him, nor has he heard them in the theatre; he spoke warmly of Pasta, Lablache, Rubini, and others, then he added that I ought not to look with jealousy upon his budding talent as a pianoforte-player, but that, on the contrary, I should help to establish his reputation as such in Leipsic.
That this young and comparatively inexperienced girl, with a reputation hardly known out of Italy, should have been chosen to take the place of the great Malibran, was alike flattering testimony to her own rising genius and Rossini's penetration. She appeared first before a French audience in "Semiramide," and at once became a favorite.
Wanting weight and power and passion for such parts as Norma, Medea, Semiramide, etc., she was perfect in the tenderer and more pathetic parts of Amina, Lucia di Lammermoor, Linda di Chamouni; exquisite in the Rosina and Carolina of the "Barbiere" and "Matrimonio Segreto;" and, in my opinion, quite unrivaled in her Countess, in the "Nozze," and, indeed, in all rendering of Mozart's music, to whose peculiar and pre-eminent genius hers seemed to me in some degree allied, and of whose works she was the only interpreter I ever heard, gifted alike with the profound German understanding of music and the enchanting Italian power of rendering it.
Donizetti, who was Sigismondi's pupil, also tells an amusing incident of his preceptor's disgust. He was turning over a score of "Semiramide" in the library, when the maestro came in and asked him what music it was. "Rossini's," was the answer. Sigismondi glanced at the page and saw 1. 2. 3. trumpets, being the first, second, and third trumpet parts.
Amelia is blonde and blue-eyed, her complexion is as bright as snow, her ringlets of the colour of straw, her figure but why describe her figure? Has not all the world seen her at the Theatres Royal and in America under the name of Miss Ligonier? Until Mrs. Walker arrived, Miss Larkins was the undisputed princess of the Baroski company the Semiramide, the Rosina, the Tamina, the Donna Anna.
He felt on his heart the trickle of pearls, dropped there by an angel; he woke, and found himself bathed in the tears of Massimilla Doni. He was lying in her arms, and she gazed at him as he slept. That evening, at the Fenice, though la Tinti had not allowed him to rise till two in the afternoon, which is said to be very bad for a tenor voice, Genovese sang divinely in his part in Semiramide.
Just then the sounds of voices were hushed, and the loud strains of Rossini's Semiramide filled the room. That ended our conversation for awhile. The music proceeded with little or no intermission, for upwards of an hour. All the vocal and instrumental talent of the city was present, and the audience was treated to a rare and most happily rendered repertoire.
Malibran's first appearance in the Grand Opéra at Paris was for the benefit of Mme. Galli, in "Semiramide." It was a terrible ordeal, for she had such great stars as Pasta and Sontag to compete with, and she was treading a classic stage, with which the memories of all the great names in the lyric art were connected.
She said to him: "It does not signify; I sing at the theatre because it is my duty, but afterward I sing at Mme. Merlin's because it is my pleasure." And so after one o'clock in the morning, wearied from the arduous performance of "Semiramide," she appeared at her friend's and sang, supped, and waltzed till daybreak.