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Of late it has been remarked, that Jules Janin is less imperious in his criticisms than he was formerly. He has been very severely reviewed by Dumas and Roqueplan, and has behaved more wisely since. We have not sketched Jules Janin as a great man, but as a man who makes great pretensions, and who has long been acknowledged, in Paris and France, as the prince of critics.

This work was finished and ready to go to rehearsal when the whole thing was stopped because I had the audacity to assert to Nestor Roqueplan, the director of Favart Hall, that Mozart's Le Nozze di Figaro was a masterpiece. Meyerbeer, even more than anyone, tried not to lose his ideas and the study of their transformation is extremely interesting.

On January 1st, 1846, he wrote to Madame Hanska, "I dined, as I told you in my last letter, with Nestor Roqueplan, the director of the Theatre des Varietes, the last Wednesday of December, and the last day of the month with the illustrious Delphine. We laughed as much as I can laugh without you, and far from you.

That little Madame d'Ormonde certainly had the devil in her, but above all, a fantastic, baffling brain, through which the most unheard of caprices passed, in which ideas danced and jostled each other, like those pieces of different colored glass in a kaleidoscope, which form such strange figures when they have been shaken, in which Parisine was fermenting to such an extent you know, Parisine, the analysis of which Roqueplan lately gave that the most learned members of The Institute would have wasted his science and his wisdom if he had tried to follow her slips and her subterfuges.

Delaroche, Scheffer, Boulanger, Roqueplan, etc., and the chambers voted 800,000 fr. Le Petit Luxembourg is a large hotel contiguous and may be considered as a dependency of the great palace, it was built by Cardinal Richelieu who made it his residence whilst the Palais Royal was building, when he afterwards gave it to his niece the Duchess d'Aiguillon.

She felt half lost in those vast, cold salons of that ancient Hôtel Beauvau, cold in spite of their stoves, and which partook at one and the same time of the provisional domicile and the furnished apartment, with its defaced gilded panels, and here and there a crack in the ceiling, and those vulgar ornaments, those wearisome imitation Chardins with their cracked colors and those old-fashioned pictures of Roqueplan, giving to everything at once one date, a bygone style.

Each of us had to preside over a table, and I should have found mine a somewhat tiresome task, if among my guests I had not met some very clever men, whose conversation amused me much. Such were Alphonse Karr, Leon Gozlan, Nestor Roqueplan, &c.