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The councils which he superseded at this date were the Consiglio del Popolo and the Consiglio del Comune, about which see Nardi, lib i. cap. 4. For the operation of the Parlamento and Balia, see Varchi, vol. ii. p. 372; Segni, p. 199; Nardi, lib. vi. cap. 4. Segni says: 'The Parlamento is a meeting of the Florentine people on the Piazza of the Signory.

Fior., Op. Ined. vol. iii. p. 179; Nardi, Stor. Fior. lib. ii. caps. 16 and 36, may be read with advantage. 'I began' Savonarola writes himself with reference to a course of sermons delivered in 1491 'I began publicly to expound the Revelation in our Church of S. Mark.

Boccheciampi the Corsican, whom they suspected of treason, was brought up to be confronted with them during the trial; when asked if he knew who he was, Nardi replied: 'I know no word in my divine Italian language that can fitly describe that man. Boccheciampi was condemned to a nominal imprisonment; when he came out of prison he wrote to a Greek girl of Corfu, to whom he was engaged, to join him at Naples, that they might be married.

I wonder, if he had come to the Villa Nardi and written on the roof, if the theological features of his epic would have been softened, and if he would not have received new suggestions for the adornment of the garden.

Heroic Epic Poetry; Tasso. 5. Lyric Poetry; Bembo, Molza, Tarsia, V. Colonna. 6. Dramatic Poetry; Trissino, Rucellai; the Writers of Comedy. 7. Pastoral Drama and Didactic Poetry; Beccari, Sannazzaro, Tasso, Guarini, Rucellai, Alamanni. 8. Satirical Poetry, Novels, and Tales; Berni, Grazzini, Firenzuola, Bandello, and others. 9. History; Machiavelli, Guicciardini, Nardi, and others. 10.

The tiptop of the Villa Nardi is a flat roof, with a wall about it three feet high, and some little turreted affairs, that look very much like chimneys. Joseph, the gray-haired servitor, has brought my chair and table up here to-day, and here I am, established to write. I am here above most earthly annoyances, and on a level with the heavenly influences.

For an explanation of Squittino and Squittinare, see Nardi, p. 593 above. I am wholly of opinion opposed to that of some, who, because the Florentines are merchants, hold them for neither noble nor high-spirited, but for tame and low.

The Villa Nardi stands in pleasant relations to Vesuvius, which is just across the bay, and is not so useless as it has been represented; it is our weather-sign and prophet. When the white plume on his top floats inland, that is one sort of weather; when it streams out to sea, that is another.

Segni is far more lively than Nardi, while he is not less painstaking to be accurate. He shows a partisan feeling, especially in his admiration for Niccolo Capponi and his prejudice against Francesco Carducci, which gives the relish of personality that Nardi's cautiously dry chronicle lacks.

In the drawing-room of the Villa Nardi was shown, and offered for sale, an enormous counterpane, crocheted in white cotton. Loop by loop, it must have been an immense labor to knit it; for it was fashioned in pretty devices, and when spread out was rich and showy enough for the royal bed of a princess.