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Francesco Maria Molza, who rivals Statius and Martial in his flattery of Clement VII and the Farnesi, gives us in his elegy to his 'comrades, written from a sick-bed, thoughts on death as beautiful and genuinely antique as can be found in any of the poets of antiquity, and this without borrowing anything worth speaking of from them.
And even as he said these things, so he carried them into practice as well as he was able, for he always sought to have for his table all the best wines and the rarest luxuries that could be found, holding life in more account than art. Being much the friend of all men of talent, he often had Molza and Messer Gandolfo to supper, making right good cheer.
Lorenzino, according to him, pilloried by a pamphlet of Molza, broods over a deed whose novelty shall make his disgrace forgotten, and ends by murdering his kinsman and prince. These are characteristic features of this age of overstrained and despairing passions and forces, and remind us of the burning of the temple of Diana at Ephesus in the time of Philip of Macedon Ridicule and Wit
Her name was Tarquinia Molza, and she was a poetess, but her relatives frowned upon the alliance of her poetry and his music, and forced her to go back to her mother at Mantua, where she outlived De Wert some twenty-seven years.
His service at Ferrara, whither he often went, enticed him into a relationship with Tarquinia Molza, a poet and court lady, which caused her to go into retirement. De Wert continued to live in Mantua and his last book of madrigals was published in Venice, September 10, 1591. He must have died soon afterward.
The delicate form of the Italian sonnet, as copied by Sidney from Bembo and Molza and Costanzo, contained within it the exotic and exquisite ideal passion of the "Vita Nuova" and Petrarch. With the bright, undulating stanza Spenser received from Ariosto and Tasso the richly coloured spirit of the Italian descriptive epic.
In the other scene, beside the last-named, the same Pope is giving the General's baton to Pier Luigi and his sons, who were not yet Cardinals; with portraits of the Pope, Pier Luigi Farnese, the Camarlingo, Duke Ottavio, Orazio, the Cardinal of Capua, Simonetta, Jacobaccio, San Jacopo, Ferrara, Signor Ranuccio Farnese as a young man, Giovio, Molza, Marcello Cervini, who afterwards became Pope, the Marquis of Marignano, Signor Giovan Battista Castaldo, Signor Alessandro Vitelli, and Signor Giovan Battista Savelli.
Heroic Epic Poetry; Tasso. 5. Lyric Poetry; Bembo, Molza, Tarsia, V. Colonna. 6. Dramatic Poetry; Trissino, Rucellai; the Writers of Comedy. 7. Pastoral Drama and Didactic Poetry; Beccari, Sannazzaro, Tasso, Guarini, Rucellai, Alamanni. 8. Satirical Poetry, Novels, and Tales; Berni, Grazzini, Firenzuola, Bandello, and others. 9. History; Machiavelli, Guicciardini, Nardi, and others. 10.
Less pastoral in motive and less connected in narrative, but of even greater importance in the formation of pastoral taste, is the famous Giostra written in honour of the young Giuliano de' Medici. I have already more than once had occasion to mention its author, Angelo Ambrogini, better known from the place of his birth as Poliziano or Politian , the contemporary, dependent, and fellow-littérateur of Lorenzo il Magnifico, and the greatest scholar and learned writer of the Italian renaissance. As the author of the Orfeo he will occupy our attention when we come to trace the evolution of the pastoral drama. Though he left no poems belonging to the recognized forms of pastoral composition, his work constantly borders upon the kind, and evinces a genuine sympathy with rustic life which makes the ascription to him of the already quoted modernization of Sacchetti not inappropriate. He left several other pieces of a similar nature, some of which at least are known to be adaptations of popular songs . Such, for instance, is the irregular canzone beginning: The Giostra is composed, like its predecessors, in the octave stanza, and presents a series of pictures drawn from classical mythology or from the poet's own imagination, adorned with all the physical beauty the study of antiquity could supply and a rich and refined taste crystallize into chastest jewellery of verse . This blending of luxuriance and delicacy is the characteristic quality of Poliziano's and Lorenzo's poetry. It is admirably expressed in the phrase of a recent critic, 'the decorum of things exquisite. After the lapse of another half-century, during which the renaissance advanced from its graceful youth to the full bloom of its maturity, appeared the Ninfa tiberina of Francesco Maria Molza. 'The volutt
That Sulpicia could publish amatory poems in honour of her husband and receive eulogies from writers like Martial shows that she and ladies like her occupied somewhat the same position as Olympia Morata and Tarquinia Molza later in Italy during the Renaissance, or like some of the celebrated Frenchwomen, such as Madame de Staël.
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