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The Brahman was his mouth; the kingly soldier Was made his arms; the husbandman, his thighs; The servile Sudra issued from his feet." From the Rigveda, Mandala x. 90, translated by Sir M. MONIER WILLIAMS. New ideas in the social sphere first claim our attention.

They contrast strongly with the later and degrading cosmogonies of degenerate heathen systems, and especially with the grotesque fancies of the subsequent Hindu mythology. In the Xth Mandala of the Rig Veda we find the following account of primeval chaos, which reminds one of the Mosaic Genesis: "In the beginning there was neither aught nor naught, There was neither sky nor atmosphere above.

As we get farther away from the supposed early home of the race, the traditions become more fragmentary and indistinct. The Rig Veda, Mandala, x., 129, tells us that: "In the beginning there was neither naught nor aught; There was neither day nor night nor light nor darkness; Only the EXISTENT ONE breathed calmly. Next came darkness, gloom on gloom. Next all was water chaos indiscrete."

Understanding that sign, Bhima began to career with his uplifted mace, making many a beautiful circle and many a Yomaka and other kinds of manoeuvres. Sometimes adopting the right mandala, sometimes the left mandala, and sometimes the motion called Gomutraka, the son of Pandu began to career, O king, stupefying his foe.

The Sanscrit word for the act of producing fire by friction is manthâmi, to rub or agitate, and this appears from its derivative mandala, a circle; that is, circular friction. The pieces of wood used for the production of fire were called pramantha, that which revolves, and arani was the disc on which the friction was made.

Even thus occurred that battle, awfully and before the gaze of a large multitude, towards the close of the day, like the battle between Vritra and Vasava. Armed with maces, both began to career in circles. Duryodhana, O monarch, adopted the right mandala, while Bhimasena adopted the left mandala.

11. i.e., content to work on receiving their food only. Their wages should not be higher that what is needed to feed them. The word Mandala has been explained below in verse 5. The distinction between Udasinas and Madhyasthas, as explained by Nilakantha, is that the former are neutrals, while the latter are those who cherish equal sentiments towards both the parties.

The ministers of state, the people of the provinces, the garrisons of forts, and the forces, O foremost one of Kuru's race, may or may not be tampered with. These twelve, as also sixty, having Ministers for their foremost, should be looked after by the king. Professors conversant with the science of politics call these by the name of Mandala.

Then at dawn when the sky was clear, the valiant Bhishma, that foremost of men well-versed in all kinds of array, himself disposed his troops in that array called Mandala bristling with weapons. And it abounded with foremost of warriors and with tuskers and foot-soldiers. And it was surrounded on all sides with many thousands of cars, and with large bodies of horsemen armed with swords and lances.

The Kuru prince could not brook to see his own mace thus baffled in that attack. Indeed, he became filled with rage like an infuriated elephant at the sight of a rival elephant. Adopting the left mandala, O monarch, and whirling his mace, Suyodhana then, firmly resolved, struck the son of Kunti on the head with his weapon of terrible force.