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In our country, where music has become a national requirement, and where the use of the metronome must be enjoined on every village schoolmaster, the best plan would be for Maelzel to endeavor to sell a certain number of metronomes by subscription, at the present higher prices, and as soon as the number covers his expenses, he can sell the metronomes demanded by the national requirements at so cheap a rate, that we may certainly anticipate their universal use and circulation.
"I witnessed," says Moscheles, "the origin and progress of this work, and remember that not only did Maelzel induce Beethoven to write it, but even laid before him the whole design of it; writing the drum marches and trumpet flourishes of the French and English armies himself, giving Beethoven hints how he should herald the English army by the tune of 'Rule Brittania; how he should introduce 'Malbrook' in a dismal strain; depict the horrors of the battle, and arrange 'God Save the King, with effects representing the huzzas of the multitude.
This Italian professed a total ignorance of the game of chess, although all others of the suite played well. Similar observations have been made since the Automaton has been purchased by Maelzel. There is a man, Schlumberoer, who attends him wherever he goes, but who has no ostensible occupation other than that of assisting in the packing and unpacking of the automata.
He could not possibly steal it; but Herr Maelzel had several of the parts for some days in his house, and he caused the entire work to be harmonized by some obscure musical journeyman, and is now hawking it about the world. Herr Maelzel promised me ear-trumpets. I harmonized the "Battle Symphony" for his panharmonica from a wish to keep him to his word.
The foregoing observations apply to the appearance of the Automaton upon its first introduction into the presence of the spectators. Maelzel now informs the company that he will disclose to their view the mechanism of the machine. Taking from his pocket a bunch of keys he unlocks with one of them, door marked ~ in the cut above, and throws the cupboard fully open to the inspection of all present.
M. Maelzel, having rolled the machine back into its original position, now informs the company that the Automaton will play a game of chess with any one disposed to encounter him.
The performance of these works, therefore, by Herr Maelzel is either an imposition on the public, as the above declaration proves that he does not possess them, or if he does, he has been guilty of a breach of faith towards me, inasmuch as he must have got them in a surreptitious manner.
Even the idea of converting the melody of 'God Save the King' into a subject of a fugue in quick movement emanates from Maelzel." It is hardly conceivable that Beethoven, if left to himself, would have produced anything of this sort. But it exactly suited the popular feeling, and was such a success that Beethoven was induced to arrange it for full orchestra.
The whole box being thus apparently disclosed to the scrutiny of the company, Maelzel, still leaving the doors and drawer open, rolls the Automaton entirely round, and exposes the back of the Turk by lifting up the drapery. A door about ten inches square is thrown open in the loins of the figure, and a smaller one also in the left thigh.
Having thus designated the spot whither the move should have been made, the arm returns to its cushion, and Maelzel performs the evolution which the Automaton pointed out. At every movement of the figure machinery is heard in motion.
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