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Unless Villeneuve scatters the English fleet, nothing can be attempted. 'Constant tells me that the Emperor was whistling "Malbrook" all the time that he was dressing this morning, and that usually comes before a move. 'It was very clever of Constant to tell what tune it was which the Emperor was whistling, said Murat, laughing.

In 1812, when Napoleon watched the grand army crossing the Niemen to invade Russia, and whistled the tune of Malbrook, he interrupted his tune to exclaim, "And yet all that is not equal to the songs of Paris!" Chateaubriand afterwards said that, with the liberty of the press, there was no abuse he would not undertake to destroy.

Sir Thomas, with an inarticulate growl, relapsed into silence; and she resumed her walk with bent head, lost in thought, up and down the great room, out of the pale winter sunshine into the shadow, and back again, to the tune of "Malbrook s'en va t'en guerre," which she hummed beneath her breath, while the baby's foolish little head, in its white cap from which protruded one tiny straight wisp of brown hair, with its beady, unseeing black eyes and its round mouth dribbling peacefully, bobbed over her shoulder as she went.

As the clock over the South-street Alms-house pointed to five minutes to three, a blue spring waggon, picked out with red, and containing boughs and flowers, passed the end of the street, and up towards this side of the building. Whilst the chimes were yet stammering out a shattered form of "Malbrook."

A hundred victories since Rocroi had taught the world to regard the armies of Lewis as all but invincible, when Blenheim and the surrender of the flower of the French soldiery broke the spell. From that moment the terror of victory passed to the side of the allies, and "Malbrook" became a name of fear to every child in France.

"Malbrook" would be comparatively modern, were not all things that are sung to a drowsing child as distant as the day of Abraham. If English children are not rocked to many such aged lullabies, some of them are put to sleep to strange cradle-songs. The affectionate races that are brought into subjection sing the primitive lullaby to the white child.

To calm them, "an officer whistled the air of 'Malbrook, which they appeared highly charmed with, and greeted him with equal pleasure and readiness. It is gratifying to be able to record Captain Tench's high opinion of the efficacy of the tune, which is popularly known nowadays as "We won't go home till morning." One has often heard of telling things "to the Marines."

Then, when in the sunshine of peace England needed him no more, Anne quarrelled with his wife, her adored friend, and cast him aside as a rusty sword no longer of use. But for years Europe heard the song "Malbrook s'en va-t-en guerre," and his awe-inspiring name was used to frighten children in France and in England.

How we cordially sympathised with the hopeless vacant stare of ignorance, proceeding from some tall, bearded individual, well on in his twenties who looked far more fit to shoulder a musket and go to the wars, like our French friend, "Malbrook," than to be thus condemned again to school-boy duties!

The next day they gave another piece of Beethoven, Die Schlacht bei Vittoria. Malbrook is introduced at the beginning of the performance, as indicative of the brisk advance of the French army. Then come drums, trumpets, thunders of artillery, and groans of the dying, and at last, in a grand triumphal swell, "God Save the King" is performed.