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Among the ministers I still seem to see the form of Coletti, resplendent in his Greek costume a true patriot and a devoted friend to France and then there was the Swedish Minister, Comte de Loevenhielm, a charming old gentleman, who had been page-in-waiting on Gustavus III. the night he was murdered. The Spanish Ambassador changed with every pronunciamiento.
A little green garden adjoins the Giardinetto Infantile and next is a boarded-up dolls' house, and next the Miani or Palazzo Coletti, with two busts on it, and then the lovely Ca' d'Oro, that exquisite riot of Gothic richness. The history of the Ca' d'Oro or golden house, so called from the prevalence of gold in its ornamentation is melancholy.
In Jerbah, a Greek merchant protested to me, that the only way to regenerate Greece was to cut off the head of this Coletti, as well as all the present chiefs of parties. He observed "Another generation alone can regenerate Greece." The merchant added, "I should like also to hang up that Monsieur Piscatory."
The first American representation took place at the Academy of Music, New York, on November 25, 1863, the parts being distributed as follows: Margherita, Miss Clara Louise Kellogg; Siebel, Miss Henrietta Sulzer; Martha, Miss Fanny Stockton; Faust, Francesco Mazzoleni; Mephistopheles, Hanibal Biachi; Valentine, G. Yppolito; Wagner, D. Coletti.
These, with Gazzaniga, the charming, lively, natural Gazzaniga, whose voice is fresh, and who can sing and act so charmingly in genial music, such as Donizetti's "Elisir d' Amore," with also Assoni, the buffo, and Coletti, the bass, compose the year-old and tried nucleus of the Philadelphia opera, which opened the first Monday in October.
These bread rows; this unpopularity of Guizot; this odious Spanish conspiracy against my darling Montpensier and daughter; this ferocity of Palmerston against Coletti, makes me quite ill. Give me your opinion, my dear duke. But ha! whom have we here?"
Her concert engagement being terminated, our prima donna made a short tour through Austria, and returned to Paris again to make her début in opera on December 2d, in "Semiramide," with Mme. Grisi, Coletti, Cellini, and Tagliafico, in the cast. The caprice of audiences was never more significantly shown than on this occasion.
Had we been in Paris, that pinnacle of liberty and civilization, we should all immediately have been conveyed off, without finishing our dessert and the wine which made us such patriot Greeks, to the sobering apartment of the Conciergerie. Happily we were in The Desert, under the rule of barbarians. Coletti was mentioned, but I forget what was said of him.
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