Vietnam or Thailand ? Vote for the TOP Country of the Week !
"However agitated Lyons may be, order prevails; nobody wants either king or tyrant; all use the same language: the words republic, union, are in everybody's mouth." Paul Thibaud, 50. Marcelin Boudet, 185. Archives Nationales AF. II., 46. Extract from the registers of the Council of the department of Loire-Inferieure, July 14.
Elman might be called the Caruso among violinists, with the perfected sensuous beauty of his tone; while Thibaud stands for supreme elegance and distinction. I have learned much from each member of this great quartet. And if the artist can profit from hearing and seeing them play, why not the student?
His studies are the masterpieces of their kind, and I turn them into concert pieces. Thibaud and Elman have supplied some of them with interesting piano accompaniments. "For bowing, with the exception of a few purely mechanical exercises, I used Kreutzer and Rode, and Gavinies. Ninety-nine per cent. of pupils' faults are faults of bowing. It is an art in itself.
Our stock of provisions being exhausted, we applied to Maister Clouston for a fresh supply: he granted us what I thought very inadequate to our wants; but he said it was all that was allowed by the Governor for the passage of the Lake. Here M. Thibaud found two men with a small canoe, who had been sent by the Bishop of Red River to convey him to his destination, waiting his arrival.
It is so difficult, in fact, that it should not be played! "My violin? I am a Stradivarius player, and possess two fine Strads, though I also have a beautiful Joseph Guarnerius. Ysaye, Thibaud and Caressa, when they lunched with me not long ago, were enthusiastic about them. My favorite Strad is a 1716 instrument I have used it for twenty-five years.
Thibaud does not see any great difference between the ideals of la grande école belge, that of Vieuxtemps, De Bériot, Léonard, Massart and Marsick, whose greatest present-day exponent is Eugène Ysaye, and the French. Himself a pupil of Marsick, he inherited the French traditions of Alard through his father, who was Alard's pupil and handed them on to his son.
It is to be regretted that he has not played in public in the United States as often as in Europe, where his extensive tournées in Holland Leon Sametini is a Hollander by birth Belgium, England and Austria have established his reputation as a virtuoso, and the quality of his playing led Ysaye to include him in a quartet of artists "in order of lyric expression" with himself and Thibaud.
Jacques Thibaud, whose gifts as an interpreting artist have brought him so many friends and admirers in the United States, is the foremost representative of the modern French school of violin-playing. And as such he has held his own ever since, at the age of twenty, he resigned his rank as concert-master of the Colonne orchestra, to dedicate his talents exclusively to the concert stage.
The translator has chosen to rearrange the above list of killed, wounded or taken, which the French text gives in order as they fought, saying that in one part there fell the duke of Bourbon, sir Guichard of Beaujeu and sir John on Landas, and there were severely wounded or taken the arch-priest, sir Thibaud of Vodenay and sir Baudouin, d'Annequin; in another there were slain the duke of Athens and the bishop of Chalons, and taken the earl of Vaudemont and Joinville and the earl of Vendome: a little above this there were slain sir William de Nesle, sir Eustace de Ribemont and others, and taken sir Louis de Melval, the lord of Pierrebuffière and the lord of Seregnach.
When the writer first called on him in New York with a note of introductio from his friend and admirer Adolfo Betti, and later at Scarsdale where, in company with his friend Thibaud, he was dividing his time between music and tennis, Ysaye made him entirely at home, and willingly talked of his art and its ideals.
Word Of The Day