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Nobody can read far without perceiving that Marcello, hindered by his poca salud y muchas occupaciones, is manifestly a double of Luis de Leon; there are passages which gloss themes developed metrically elsewhere; there are retrospicient glances at the Valladolid trial; the scene of the dialogue is laid within view of La Flecha, and the details of the landscape are reproduced with exact fidelity; Luis de Leon has a freer hand in De los nombres de Cristo than in his other prose works, but here again in his paraphrases of the Biblical passages relating to Christ his interpretation is at one with the interpretation of the prophets.
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