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Like a literary connoisseur who rolls a Horatian ode or a Goethean lyric upon his tongue even thus he enjoyed these sombre stanzas. There was one: "I haste to my eternal home," in which the beyond was likened to a bridal chamber and to a "crystal sea of blessednesses."

Moth and snail and skylark, daisy and field-mouse and water-fowl, seized by an eye that is quick to their poetic values, their interest to men, furnish material enough for lyric feeling. The fondness of Romantic poets for isolating a single object has been matched in our day by the success of the Imagists in painting a single aspect of some phenomenon

With this wisdom of life is the equal endowment of imaginative and of lyric power. He clothed the creatures of his legend with form and sentiments as if they were people who had lived under his roof; and few real men have left such distinct characters as these fictions. And they spoke in language as sweet as it was fit.

His almond-shaped eyes asked her how in the world she could stand it all, and she felt uncomfortable at the thought that she was used to it. Besides, these good people really liked her. The only members of the profession who hated her were the other lyric sopranos.

"Intensive rather than expansive, fanciful rather than imaginative, and increasingly restrictive in its range and appeal": that is Professor Schelling's expert summary of the poetic tendencies of the age. And then the lyric impulse died away in England. Dryden could be magnificently sonorous in declamation and satire, but he lacked the singing voice.

But if the graceful lyric or glittering masque were called for, the boundless wealth of Ben's genius was most strikingly displayed.

It was lyric, idyll, song, and satire; it was not drama, for to the Stage he had no access, he who passed but one winter in Edinburgh, where the theatre was not the centre of literature. Shakespeare came, with genius and with such materials as I have suggested, to an entirely different market, the Elizabethan theatre.

When Dr. Samuel Johnson tried to write a drama, he made all his little fishes talk like whales, as Goldsmith wittily remarked. In the same play Shakespeare's style varies from the dainty lyric touch of Ariel's song about the cowslip's bell and the blossoming bough, to a style unsurpassed for grandeur:

I will not attempt in this place to say anything particular of your lyric poems, though they are the delight and wonder of the age, and will be the envy of the next.

The lyric had of course been used before to express emotions imagined and not real to the poet himself; Browning was the first to project it to express imagined emotions of men and women, whether typical or individual, whom he himself had created.