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It was arranged that the Spanish lady should take care always to be ill; and that the only man to whom the lovers would confide their secret should be the court physician, who was much attached to the queen. By chance this physician had in his glottis, chords exactly similar to those of Gauttier, so that by a freak of nature they had the same voice, which much astonished the queen.

But suppose he desires to "blow a dreamy hautbois note, slender and refined as ever stirred the air of Arcady or trembled in the vineyards of old Provence," then all the musician in plumes needs to do is to contract the slit in his throat, depress his tongue, almost close his mandibles, and simply allow a slender air current to sift from the lungs through the syrinx and out of the glottis.

This process of vowel-making is so smooth and open that a succession of legato vowel-sounds can be produced with only one stroke of the glottis, the vowel sounds flowing into each other, or each, seemingly, issuing from the other. Consonants are formed within the upper cavity of resonance, the mouth, some by the tongue alone, some by the combined action of tongue and lips.

Either he soon would become "hipped" on the subject of innumerable imaginary throat troubles, or his voice-production would become mechanical, which is very different from the spontaneous adjustment of the vocal tract described above. THE GLOTTIS AND VOCAL CORDS VIEWED FROM ABOVE 1, Glottis. 2, True Cords. 3, False Cords. 4, Epiglottis. 5, Base of Tongue.

This is done by changes and variations in the state and form of the organic substances of the lungs, and from the lungs through the trachea or windpipe in the larynx and glottis, and then in the tongue, and finally in the lips.

The muscles of the larynx are best understood if the principle of antagonistic action already referred to be remembered. Speaking generally, the muscles are arranged in pairs which have an opposite or antagonistic action viz.: Those that open and close the glottis; those that regulate the tension, or degree of tightness, of the vocal bands.

Numerous vessels increase in size and multiply round its edge, and there is considerable injection and thickening. Inflammation of the edges of the glottis, and particularly of the membrane which covers its margin, is often seen, and accounts for the harsh guttural breathing which frequently accompanies dumb madness.

After the recovery of his body it was seen that his false teeth were impacted at the anterior opening of the glottis, and it was presumed that the shock caused by the plunge into the cold water had induced a violent and deep inspiration which carried the teeth to the place of impaction.

They have the general appearance of ridge-like projections from the sides of the larynx, but at their edges they are sharp and smooth. The open space between the cords is called the glottis. When sound is not being produced, the glottis is open and has a triangular form, due to the spreading apart of the arytenoid cartilages and the attached cords.

The glottis, partially closed as it must be in phonation, presents considerable resistance to the outgoing stream of air, hence the upward movement of the larynx when it is left free, and not held down by muscular action. In singing and speaking the larynx should be steadied, otherwise the "attack," or application of the air-blast to the vocal bands, cannot be perfect.