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The revival and the improvement of this art we owe to the benevolence and the ingenuity of the Chevalier Aldini of Milan, who has travelled through all Europe to present this valuable gift to his species.
Perhaps the keynote to the charm of George Sand's art is given in her preface to her exquisite novel "La Derniere Aldini." Here is none of the accuracy and patience of the scientific enquirer into the "mysterious mixture" man, which we find in George Eliot's preface to "Middlemarch." Indeed these prefaces sum up the remarkably differing characteristics of the two writers. George Eliot is occupied with "the function of knowledge" in regard to the "ardently willing soul." She explains in her preface that the aim of her book is to trace the fate of the Saint. Theresas of a past age, in the ordinary environment and circumstances of our time. The problem was, how were detachment of mind and spiritual longing and love to find their developments in a modern prosaic setting. George Eliot brought to bear on this enquiry all her great powers of observation, discrimination and thought. Each page of the novel reveals the conscious endeavour of the born thinker to express in artistic form some conception that would help to clear the outlook on which the answer to the problem depended. George Sand, who had also her philosophising, and her analysing moods, was yet capable of feeling that novels may be romances. She could write under the sway of pure emotion and apart from theory. George Eliot never regarded her novels as mere romances. "Romances," said George Sand in her preface, "are always 'fantasies, and these fantasies of the imagination are like the clouds which pass. Whence come the clouds and whither do they go? In wandering about the Forest of Fontainebleau tête
In the midst of the Spanish campaigns, these documents were perused and approved by the Emperor, who wrote to Aldini, at that time in Italy, and told him to make private inquiries as to whether the time was opportune for the promulgation of these decrees, and whether it was expedient to require the clergy to take an oath of allegiance to the new constitution.
The piece of ancient asbestos cloth preserved in the Vatican was formed, we believe, by mixing the asbestos with other fibrous substances; but M. Aldini has executed a piece of nearly the same size, 9 feet 5 inches long, and 5 feet 3 inches wide, which is much stronger than the ancient piece, and possesses superior qualities, in consequence of having been woven without the introduction of any foreign substance.
Then came the discoveries of Galvani and Volta, followed by the demonstrations of Galvani's nephew Aldini, whereby dead animals were made to display the movements of life, not only by the electricity of the Voltaic pile, but, as Aldini especially showed, by a transfer of this mysterious agency from one animal to another.
Under these circumstances, Count Aldini goes on to recommend that hopes should be held out of an early resumption of payments on the national debt, and that a provisional air should be given to the proposed arrangement, so as to keep alive the prospect of a great kingdom, of which Rome should be the centre.
So instinct with emotion, so alive and receptive and creative that a passing impulse resulted in a work of art of the touching beauty of "La Derniere Aldini." So unanalytic of self, that she could not remember the driving impulse that caused her to write the novel. Impulses like clouds come and go, and the artist soul is the sure recipient of them.
I made use of the time to improve my knowledge of French by the study of a novel, La Derniere Aldini, by George Sand. We also derived some entertainment from associating with the crew. There was an elderly and peculiarly taciturn sailor named Koske, whom we observed carefully because Robber, who was usually so friendly, had taken an irreconcilable dislike to him.
On the 1st of June in that year, Count Aldini wrote a despatch, by order of the Emperor, to complain of the avowed hostility displayed by the Papal Court against the system of legislation introduced into the Kingdom of Italy, and of the private intrigues carried on by Cardinal Antonelli. In this despatch occur these words, which at the present day read strangely appropriate:
Two towers were erected two stories high, and were surrounded with heaps of inflamed materials consisting of fagots and straw. The firemen braved the danger with impunity. In opposition to the advice of M. Aldini, one of them, with the basket and child, rushed into a narrow place, where the flames were raging 8 yards high.
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