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Since then Germany may be said to have been inundated by "Fausts" in every possible shape. Dramas by Nic. Chamisso's tragedy of "Faustus," "in one actus," in truth only a fragment, had already appeared in the "Musenalmanach" of 1804. To Goethe the legendary literature of his nation had been familiar from his boyhood.
Wilhelm Meister was completed; Hermann and Dorothea planned and written; Cellini translated for the "Horen;" the "Xenien" written by both for Schiller's Musenalmanach; every day brought with it points of contact. Of all this we talked this evening, and Goethe had full opportunity for the most interesting communications.
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