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Ordinarily there will be found upon the kamidana nothing but the simple miya containing some ofuda: very, very seldom will a mirror be seen, or gohei except the gohei attached to the small shimenawa either hung just above the kamidana or suspended to the box-like frame in which the miya sometimes is placed.

The main shrine, dedicated to Susano-o and Inada-hime and their son, whose name is the name of the hamlet of Sakusa, is flanked by various lesser shrines to left and right. In one of these smaller miya the spirit of Ashi-nadzu-chi, father of Inada-hime, is supposed to dwell; and in another that of Te-nadzu-chi, the mother of Inada-hime. There is also a small shrine of the Goddess of the Sun.

The interior of the sacred chamber is equally rich in lacquered decoration and gilding; and below the miya itself there are strange paintings of weird foxes foxes wandering in the foreground of a mountain landscape. But here the colours have been damaged somewhat by time; the paintings have a faded look.

The kamidana or 'God-shelf, upon which are placed the miya and other sacred objects of Shinto worship, is usually fastened at a height of about six or seven feet above the floor.

These men were usually descendants of the god in whose honor the temples were built. The model of the miya, in modern as in ancient times, is the primitive hut as it was before Buddhism introduced Indian and Chinese architecture. The posts, stuck in the ground, and not laid upon stones as in after times, supported the walls and roof, the latter being of thatch.

As a rule it should not be placed higher than the hand can reach with ease; but in houses having lofty rooms the miya is sometimes put up at such a height that the sacred offerings cannot be made without the aid of a box or other object to stand upon. Occasionally it is painted or lacquered.

It was impossible to rebuild the temple, as the disestablishment of Buddhism had entirely destroyed the resources of that faith in Oki. But the peasantry of Tsubamezato had built a little Shinto miya on the sight of the temple, with a torii before it, and people still prayed there to Agonaoshi-Jizo.

But the popular notion on the subject is that because a dead person is buried with the head turned north, it would be very wrong to place a miya so as to face north since everything relating to death is impure; and the regulation about the west is not strictly observed. Most kamidana in Izumo, however, face south or east. Respect must be shown it.

They are displayed on Shinto holidays, and twice a year are borne through the streets in procession, to shouts of 'Chosaya! chosaya! Each temple parish also possesses a large portable miya which is paraded on these occasions with much chanting and beating of drums. The majority of household miya are cheap constructions.

A very fine one can be purchased for about two yen; but those little shrines one sees in the houses of the common people cost, as a rule, considerably less than half a yen. And elaborate or costly household shrines are contrary to the spirit of pure Shinto The true miya should be made of spotless white hinoki wood, and be put together without nails.