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However, on April 15th, 1832, there appeared in the Revue des Deux Mondes a scathing, anonymous criticism of the first dizain of the "Contes Drolatiques." This had apparently been written by Gustave Planche; but Balzac considered Buloz responsible for it, and therefore refused to write any longer for his review.
However, whether she did not read the first dizain of the "Contes," which appeared in April, 1832, or whether the perusal of them showed her more strongly than before that Balzac was really in need of good advice, Madame Hanska did not show her displeasure by breaking off her correspondence with him.
He thus lost 3,500 francs, and to add to the calamity, did not receive the sum of 6,000 francs which in the ordinary course of events would have been due to him at the end of the year, when but for this disaster he would have handed over the third dizain to Werdet and an associate.
To this insinuation Balzac gave no credence; he naturally found it easy to believe in one more enthusiastic foreign admirer, and he was seriously troubled by the fact that the first dizain of the "Contes Drolatiques," which certainly would not satisfy his correspondent's views on the lofty mission of womanhood, was likely to appear shortly.
"That half-brother of mine, who is lord of the tenth kind of sleeping, would nicely round off this dizain," says Miramon, scratching his chin, "if only he had not such a commonplace, black-and-white appearance, apart from being one of those dreadful Realists, without a scrap of aesthetic feeling No, I like color, and we will levy now upon the West!"
A fire broke out at the printing office in the Rue du Pot-de-Fer, and burnt the first hundred and sixty pages of the third dizain of the "Contes Drolatiques," as well as five hundred volumes of the first and second dizain, which had cost him four francs each.
And where no authorities exist he merrily invents them, as in the case of his Nicolas of Caen, poet of Normandy, whose tales Dizain des Reines are said to furnish the source for the ten stories collected in Chivalry, and whose largely lost masterpiece Le Roman de Lusignan serves as the basis for Domnei. One British critic and rival of Mr.
Now when this terrible dizain was completed the lord of the seven madnesses laid fire to a wisp of straw, and he cast it to the winds, saying that thus should the anger of Miramon Lluagor pass over the land. Then he turned to these dreadful ten whom he had revivified from the dustheaps and garrets of Vraidex, and it became apparent that Miramon was deeply moved.
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