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It is evident that his heart is torn by contradictory emotions pity, compassion, scorn, anger, and love, all at once. In point of style also the novel is a realistic piece of work. Smolenskin does not resort to Talmudisms, like Gordon and Abramowitsch, but, also, he takes care not to indulge in too many Biblical metaphors.
Abramowitsch then turned away from Hebrew for a while, and made the literary fortune of the Jewish-German jargon by writing his tales of Jewish life in it, but about ten years ago he re-entered the ranks of the writers of Hebrew, and became one of the most original authors handling the sacred language. What distinguishes Abramowitsch from his contemporaries is his style.
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