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Updated: May 20, 2025
Count de Looz, Polish ambassador at the French court, invited me in 1751 to translate into Italian a French opera susceptible of great transformations, and of having a grand ballet annexed to the subject of the opera itself. I chose 'Zoroastre', by M. de Cahusac. I had to adapt words to the music of the choruses, always a difficult task.
Count de Looz, Polish ambassador at the French court, invited me in 1751 to translate into Italian a French opera susceptible of great transformations, and of having a grand ballet annexed to the subject of the opera itself. I chose 'Zoroastre', by M. de Cahusac. I had to adapt words to the music of the choruses, always a difficult task.
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