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Updated: May 24, 2025
Berlioz, mad Hector of the flaming locks, whose orchestral ozone vivified the scores of Wagnerand Liszt, began to sound garishly empty, brilliantly superficial; "the colossal nightingale" is difficult to classify even to-day. A romantic by temperament he unquestionably was. But then his music, all color, nuance, and brilliancy, was not genuinely romantic in its themes.
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