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The lively man who in shirt sleeves dances with the jolly, plump salesgirl, the sunlight dripping through the vivid green of the tree leaves, lending dazzling edges to profiles, tips of noses, or fingers, is not the sullen ouvrier of Zola or Toulouse-Lautrec nor are the girls kin to Huysmans's Soeurs Vatard or the "human document" of Degas.
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