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Till Haydn came to London, he had nearly always been compelled to compose for small bands. Count Morzin's, in fact, could scarcely be called a band. It consisted of a few strings, with a few wind instruments to increase the volume of the tuttis.
And now all talents, which hitherto had bloomed unseen, were in motion, wildly flitting to and fro. They were bent upon a surfeit of music; tuttis, finales, choruses must be performed.
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