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Updated: June 25, 2025
The second movement of the quartet Op. 127, Adagio ma non troppo, with which Porges compares the scene, gives a different side, from which the morbid element is absent. The rhythm which dominates this scene is a development of the preceding triplet rhythm and must be taken quite strictly 3-4 time, the first two crotchets being divided into triplet quavers, the last into two.
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