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Updated: May 25, 2025
The six-stress anapestic line which Tennyson preferred for his later dramatic monologues like "Rizpah" is really a ballad measure, and is seen as such to its best advantage in "The Revenge." But in his monologues of the pure soliloquy type, like "St. Agnes" and "Sir Galahad," the metre is brilliantly lyrical, and the lyric associations of the verse are carried over into the mood of the poem.
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