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The happy euphemism of language permits a squint to be described as an ambidexterity of vision; it is even quite possible to omit an ill-regulated feature altogether. Suppose an artist paints a man without a nose the defect sauterait aux yeux: it would be as plain as the nose not upon his face. But it is quite possible for the literary artist to omit a man's nose without attracting any attention.
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