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To modern eyes perhaps there is something grotesque in the strange medley of figures that crowd the canvas of the "Faerie Queen," in its fauns dancing on the sward where knights have hurtled together, in its alternation of the salvage-men from the New World with the satyrs of classic mythology, in the giants, dwarfs, and monsters of popular fancy who jostle with the nymphs of Greek legend and the damosels of mediæval romance.
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