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Updated: May 27, 2025
It could be called the design of an uncertain, primitive Durer with an opium-steeped brain. But although he liked the finesse of the detail and the imposing appearance of this print, Des Esseintes had a special weakness for the other frames adorning the room. They were signed: Odilon Redon. They enclosed inconceivable apparitions in their rough, gold-striped pear-tree wood.
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