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Updated: April 30, 2025
Taddeo Bartoli, another Sienese, and Martin Schoen, the most poetical of the early Germans, also adopted the olive-symbol; and we find it also in the tabernacle of King Réné, already described. The treatment is clearly devotional and ideal where attendant saints and votaries stand or kneel around, contemplating with devout gratitude or ecstatic wonder the divine mystery.
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