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This, I think, is the true explanation of that much-disputed-over ideal, which, according to definitions, is perpetually being enthroned and dethroned as the ultimate aim of all art: the ideal, the imperatively clamoured-for mysterious something, is neither conformity to an abstract idea, nor conformity to actual reality, nor conformity to the typical, nor conformity to the individual; it is, I take it, simply conformity to man's requirements, to man's inborn and peremptory demand for greater harmony, for more perfect co-ordination and congruity in his feelings.
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