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Updated: May 2, 2025
Farther back are three monks, and behind S. Martin stands the Magdalen, while on the other side an old saint introduces the donor, Angelo Massarelli. The general tone of colour is not nearly so heavy as in the Arezzo painting, the reds are of a pale rose-colour, and only the flesh-tints of S. Jerome are very dark. This figure and the S. Martin are nobly and powerfully conceived.
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