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Is not that ribbed dome, with its purple mass domineering over the huddled roofs, Brunelleschi's? It is a faithful copy of Vasari's hatching; but no matter. So with the Baptistery, the towers, the grim old corniced palaces, the sdruccioli and gloomy clefts which serve for streets. But you would be wrong. Pisa is the real parent of Pistoja, as indeed she is of Florence-Dante's Florence.
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