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In all kinds of verses it is sung, in expressive duet of lower wood, of the brass, then of high reeds; in solo trumpet with counter-tune of oboe, finally in high flutes. Here we see curiously, as the first themes reappear, a likeness with the original trumpet-call of the symphony. In this guise of the first dance-theme the movements are bound together. The envoi phrase is here evident throughout.
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