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Updated: June 1, 2025
Daffinger's miniature of her, painted when she was thirty, represents her as abundantly endowed by nature; and Gigoux' pastel of 1852, which is less faithful and shows her considerably older, still gives substantially the portrait that Barbey d'Aurevilly sketched of her after Balzac's death: "She was of imposing and noble beauty, somewhat massive," says this writer.
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