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Updated: July 13, 2026
The arch of triumph at the entrance to the upper town has been an inexhaustible subject of controversy for many generations of antiquaries, and up to the time of Dunod was generally attributed to Aurelian: that historian, however, believed that its sculptures represented the education of Crispus, the son of Constantine, and that the name Chrysopolis, by which Besançon was very generally known in early times, was only a corruption of Crispopolis.
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