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Updated: May 10, 2025
Yet superficial though they be in comparison with the later portraits, they mark the patient endeavour of his work in Florence, the realism that this city, so scornful of forestieri, was forcing upon him as it had already done on Perugino, who in the Francesco, the Bracessi, and the two monks of the Accademia, touches life itself, perhaps, only there in all his work.
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