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He held a middle ground between the "artist-architects" on the one hand and the painters on the other, and with this advantageous footing he was gradually drawing a strong cordon round "society" and was looking forward to a day not very distant when he might leave the Burrow for the Temple of Art itself. Mrs.
The task was begun in the fifteenth century; in 1506 it was taken up by Pope Julius II with his usual energy, and it was continued all through the sixteenth century and well into the seventeenth, under the direction of a succession of the most famous artist-architects of the time, including Raphael and Michael Angelo.
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