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Updated: May 7, 2025
Each act, as we have seen, should consist of, or at all events contain, a subordinate crisis, contributory to the main crisis of the play: and the art of act-construction lies in giving to each act an individuality and interest of its own, without so rounding it off as to obscure even for a moment its subsidiary, and, in the case of the first act, its introductory, relation to the whole.
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