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At the piu forte, care must be taken to have the outer side of the hand well raised, and moved from the wrist. The idea here is one of great agitation and unrest. The fifth page needs great power and the legato octaves well connected and sustained. The feeling of unrest is here augmented until it becomes almost painful, and not until the animato does a restful feeling come.
New accompanying figures are added, contrasting phrases or counter-melodies, to the theme. One expressive line plays against the wilder rhythm of the theme, with as full a song in its own mood as the other. A new rhythmic motive, of great charm, un pocchetino piu animato, is answered by a bit of the theme. Out of it all grows, in a clear
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