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The Emperor's donation had been most welcome and timely to the poor old couple, for Euphorion had completely lost the softness of his voice as well as his memory through the agitations and troubles of the last few months; he had been dismissed from the chorus of the theatre and could only find employment and very small pay of a few drachmae, in the mysteries of certain petty sectarians or in singing at weddings or in hymns of lamentation.

Newland Archer prided himself on his knowledge of Italian art. His boyhood had been saturated with Ruskin, and he had read all the latest books: John Addington Symonds, Vernon Lee's "Euphorion," the essays of P. G. Hamerton, and a wonderful new volume called "The Renaissance" by Walter Pater. He talked easily of Botticelli, and spoke of Fra Angelico with a faint condescension.

For twenty years had he still preserved this jar of wine for some specially happy occasion. This jar and his best lute were the only objects which Euphorion had carried with his own hand from Lochias to his daughter's house and then again to his own new abode.

The pitiable jays had no presumption in their favour and foolishly fronted an alert incredulity; but Euphorion, the accomplished theorist, has an audience who expect much of him, and take it as the most natural thing in the world that every unusual view which he presents anonymously should be due solely to his ingenuity.

But there must be no water in it to-day." "I cannot drink," sighed Euphorion. "Then I will drink your share and my own too." "Nay-nay, mother," remonstrated Pollux. "Well put some water in, lad, just a little water, only do not make such a pitiful face. Is that the way a young fellow should look who has his art, and plenty of strength in his hands, and the sweetest of sweethearts in his heart?"

"If only you had been a singer!" exclaimed Euphorion. "Then I should have enjoyed the prospect," retorted Pollux, "of spending the evening of my life as your successor in this little abode." "And now for wretched pay, you plant the laurels with which Papias crowns himself!" answered the old man shrugging his shoulders.

He would perform it in quite another way than that dry stick Philemon the ivory carver. Hand me my lute; I have already forgotten again the beginning of the last verse. Oh! my wretched memory! Thank you." Euphorion loudly struck the strings and sang in a voice that was still tolerably sweet and very well trained: "'Sabina hail! Oh Sabina!

But he was not allowed to get to the end of this evidence of his skill, for Euphorion the door-keeper of the palace, Euphorion the father of Pollux, ran hastily into the hall of the Muses with a letter in his hand which he gave to the architect. "To be read without an instant's delay," he added, bowing with theatrical dignity to the assembled artists.

"Yes, he is handsomer how shall I say it more like the gods than that cold marble figure," Euphorion declared. "A grand noble, he is no doubt, but still an artist too; I wonder whether he could be induced by Pontius or Papias or Aristeas or one of the great painters to take the part of Calchas the soothsayer in our group at the festival?

His head drooped on his breast, he never spoke but when he was spoken to, and when Doris or Euphorion tried to talk to him of the future, he would ask: "Am I a burden to you?" or begged them not to worry him. Still, he was gentle and kind, took his sister's children in his arms, played with the Graces, whistled to the birds, went in and out, and played a valiant part at every meal.