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This collection of Esquiline wall-paintings is now in the Vatican Library. Besides the ancient mural paintings which have been placed in the museums of Rome, there are others which still remain where they were painted, in palaces, villas, and tombs.
On the sides of the parvise over the porch of the parish church are the arms of Scrope, Conyers, and Aske; and in the chancel of this extremely interesting old building there can be seen a series of wall-paintings, some of which probably date from the reign of Henry III. This would make them earlier than those at Pickering.
The next place along the coast, after passing the Promontory of Salvore and turning south, is Umago. It is sheltered behind a shoal, upon which the Chronicles say that the ship laden with the relics of S. Mark struck during a storm on its way to Venice. It was given as a feud to the bishop of Trieste in 929, at Pavia, by Ugo of Provence, king of Italy, and to the bishop of Cittanova in 1029 or 1038 by the Emperor Conrad. It had been sacked by the Slavs of Croatia and Dalmatia in 876, at the same time with Cittanova, Rovigno, and Sipar (at which last place very early wall-paintings are said to exist). It swore fealty to Venice in 1269; but very little is known of its history, the English apparently having burnt the archives in the piazza early in the nineteenth century. At that period no one seems to have thought that such things could be of any value; indeed at Portole, about 1850, the podest
Taken in their aggregate, the wall-paintings I have described afforded a fair sample of Umbrian and Tuscan art in its middle or quattrocento age of evolution. It remained for Buonarroti to cover the vault and the whole western end with masterpieces displaying what Vasari called the "modern" style in its most sublime and imposing manifestation.
The works of the ancient painters which still remain in various countries are wall-paintings, paintings on vases, mosaics, paintings on stone, and certain so-called miniatures; and besides these principal works there are many small articles, such as mirrors, toilet-cases, and other useful objects, which are decorated in colors.
Wall-paintings were rare in the Gothic period, for its architecture left no good spaces where the pictures could be placed, and so the interior painting of the churches was almost entirely confined to borders and decorative patterns scattered here and there and used with great effect.
Every kind of painting except landscape-painting had been practised by Greek artists; but that received no attention until figure-painting had declined. Vitruvius mentions that the ancients had some very important wall-paintings consisting of simple landscapes, and that others had landscape backgrounds with figures illustrating scenes from the poems of Homer.
We do so, because some people, even those who ought to know better, are in the habit of describing any wall-painting as a fresco; whereas so many of the wall-paintings, especially in Italy, are not frescoes at all, but distemper paintings on a dry surface. The real fresco consists of painting upon plaster, while it is wet.
He was so much struck with the drawing that he took the boy home and taught him, and soon he in his turn far surpassed his master. In order to appreciate Giotto we need to go to Assisi, Florence, or Padua, for in each place he has painted a series of wall-paintings. In the great double church of Assisi, built by the Franciscans over the grave of St.
Huge, massive, aloof from the world, their temples and tombs and ruins remain. Research has given us the key to their religion, so we understand much of the meaning of their wall-paintings and the buildings themselves.
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