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Gregorio Vecelli was a valiant soldier, distinguished for his bravery in the field and his wisdom in the council of Cadore, but not, it may be assumed, possessed of wealth or, in a poor mountain district like Cadore, endowed with the means of obtaining it.
"But how do you know that he was born here?" I asked. The hunchback lifted his wasted hand with a deprecating gesture. "They have always said so, Signora," he replied. "They have said so for more than four hundred years." "They?" I repeated, doubtfully. "The Vecelli, Signora." "I had understood that the Vecellio family was extinct." "Scusate, Signora," said the hunchback.
The part of the background showing the galleys of Pesaro's fleet is so coarsely repainted that the original touch cannot be distinguished. The form "Titiano" is not to be found in any authentic picture by Vecelli. "Ticianus," and much more rarely "Tician," are the forms for the earlier time; "Titianus" is, as a rule, that of the later time.
He had painted a great picture of the Assumption for this church, which has since been removed to the Academy of Venice; but another work of his, called the Pesaro altar-piece, still remains near his grave. His burial-place is marked by a simple tablet, inscribed thus: "Here lies the great Tiziano di Vecelli, rival of Zeuxis and Apelles."
Among others we find a contemporary Tiziano Vecelli, who is a lawyer of note concerned in the administration of Cadore, keeping up a kind of obsequious friendship with his famous cousin at Venice. The Tizianello who, in 1622, dedicated to the Countess of Arundel an anonymous Life of Titian known as Tizianello's Anonimo, and died at Venice in 1650, was Titian's cousin thrice removed.
The name of this illustrious painter was Tiziano Vecellio or Vecelli, and he is called by the Italians, Tiziano Vecellio da Cadore. He was descended of a noble family; born at the castle of Cadore in the Friuli in 1477, and died in 1576, according to Ridolfi; though Vasari and Sandrart place his birth in 1480. Lanzi says he died in 1576, aged 99 years.
In Verbosca is a fortified church with bastions, S. Lorenzo, which contains the fragments of a Titianesque painting, ascribed to the master on the strength of an entry in the archives of a payment of 1,000 ducats to the Master Titiano Vecelli. It is now in three portions, and shows S. Laurence with angels and the Virgin above, S. Roch, and S. Augustine.
In one hall he caused the whole of the story of Troy and the Trojan War to be painted, and likewise twelve scenes in oils in an antechamber, below the heads of the twelve Emperors previously painted there by Tiziano Vecelli, which are all held to be excellent.
In Venice, the Vecelli family had an uncle, and it was with him that Titian lived, though he studied first with Sebastian Zuccato, the head of the Venetian guild of mosaic workers, and a pretty good teacher in his way.
"The last direct descendant of 'Il Tiziano' died not long ago a few years before I was born; and the collateral Vecelli are citizens of Cadore to this day. If the Signora will be pleased to look for it, she will see the name of Vecellio over a shop on the right-hand side, as she returns to the Piazza." I did look for it; and there, sure enough, over a small shop-window I found it.
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